Visual Resources

This series of visual resources is made available here for educational purposes only. They relate to different sets of visual data used in studies I have published in various journals. For more information about these papers please see my list of publications.

GLOBAL MOBILITY
Communicating a global reach: Inflight magazines as a globalizing genre in tourism (2003, Journal of Sociolinguistics)

CULTURAL DIFFERENCE
Relating to our work, accounting for ourselves: The autobiographical imperative in teaching about difference (2004, Language and Intercultural Communication)

ETHNO-TOURISM
'Half-hearted tokens of transparent love'? 'Ethnic' postcards and the visual mediation of host-tourist communication (2005, Tourism, Culture and Communication)

ELITE IDENTITIES
The alchemy of the upwardly mobile: Symbolic capital and the stylization of elites in frequent-flyer programmes(2006, Discourse&Society)

AIRLINE BRANDING
National Pride, Global Capital: A Social Semiotic Analysis of Transnational Visual Branding in the Airline Industry (2007, Visual Communication)

EUROPEAN IDENTITY
Symbolic Capitals: Visual Discourse and Intercultural Exchange in the European Capital of Culture Scheme (2006, Language and Intercultural Communication)

LUXURY SPACES
Silence is golden: Elitism, linguascaping and 'anti-communication' in luxury tourism (2010, Semiotic Landscapes, ed. Jaworski & Thurlow)

GESTURE AND MOVEMENT
'Two hundred ninety-four': Remediation and multimodal performance in tourist placemaking (2014, Journal of Sociolinguistics) [password protected]

LUXURY LABOUR
Visible-invisible: The social semiotics of labour in luxury tourism. (2014, Elite Mobilities, ed. Birtchnell & Caletrío)

TRAVEL WRITING
On top of the world: Tourist’s spectacular self-locations as multimodal travel writing. (2014, Travel Writing Studies, ed. Keuehn & Smethurst)

Permission to display the images in each visual resource has been sought wherever possible. Please let me know if you have further information which might help me locate the original sources.